Death
Becomes
Her
Death doula with highlighted Scorpio talks about her work life
Death
Becomes
Her
Death doula with highlighted Scorpio talks about her work life
Death
Becomes
Her
Olga Verkhotina
student of the Academy of Astrology, telegram neretrogradno
Doula – what is that, to begin with? Doula is a helper, who supports a woman in labor and right after – physically and mentally. Doula is not a medical worker. Unlike a midwife, she doesn't diagnose or prescribe medication. But she does help to create the right environment, teach the right breathing and sound techniques and just overall takes care of a woman in labor, when needed. As in, always. That's for the birth doula. Now let's use that idea on the opposite side – the side of death. Death doula takes care of a dying person. She helps them accept their last minutes and, no pun intended, helps them live through the experience of death. We spoke to a death doula about her work routine, and asked to show us the most important chart - her natal chart.
Amber Joy Rava is a former Cirque du Soleil dancer, who's touring all over the world on her own as a dancer now, birth and death doula, as well as a fashion designer. She was born in Brooklyn, New York, but asked me to not disclose her age, so I'm not publishing her date of birth. Amber prefers to describe her age as infinite. "Many people ask me all the time how old I am… cause they know I've been around, they wonder why I haven't aged. They are so curious. I like the secret, spice of life!" said Amber.
You have so many different and unusual projects. Are all of them combined your full-time job?
A typical workday doesn't exist in my world. I could be praying, dancing, singing, teaching, designing, inspiring anywhere at any time. For the past few years, I've been in Alto Paraiso, Brazil at a Temple of Dance. It is my magical altar where we have our dancing-circus school, it is my sanctuary, my adobe zen home. There we have classes all day just about every day. Group or private lessons, as well as immersion in our numerous natural locations including waterfalls, mountain tops, forests, rivers, house calls for people that are homebound. While teaching workshops or doing performances for exclusive shows throughout the globe, every day is a surprise and that's how I like it!
How did you get into all of that?
Life is a dance of balance and risk for me. I'm drawn towards my life work naturally, by feeling the resonance of my true destiny. I have a lot of interests. Often I find myself in seemingly different expressions, yet they complement and sweetly support each other.
What was it like for you growing up? Where and how did you learn all of that?
Growing up in Brooklyn, NY was quite an education. I found myself connected to everything and nothing. My mother was the most inspiring person for me – a natural mystic, she always faithfully taught me that, God was inside of me, not somewhere out there. I have studied natural healing, massage in particular (Reiki, Reflexology, Shiatzu). Healing touch is a big part f what I do. Blessed, my whole life I've studied with unique amazing teachers from different traditions, cultures and beauties. I love to sit in international parks just watching people move and just be. It's about the gestures of life itself, the human condition.
Later I learned that [trauma] was Kundalini. My traumatic fall off in gymnastics acted as an earthquake in my root chakra, and woke up my cosmic cobra.
Fortunately, I had an opportunity to go to ballet school at 3. This surely has had an underground affect on my sensibilities as a mover. Though, soon my energy became too wild and needed to jump and be free. So by 7, my single mother worked hard and enrolled me in gymnastics. I loved to flip off the balance beam and circle around the uneven bars with no hands. At 13 I fell off the uneven bars in gymnastics, chipped my coccyx aka the tailbone, my world came to an end! I couldn't move with pain all the time, [I was] told that type of injury may never totally heal. [I was] so depressed that my passion for movement and dance was over forever. At a time of deep silence, [it was my] depression that inspired me to enter my imagination.
By the time I turned 16, so unimpressed with the hypocrisy of the world that I took a vow of silence. I would go into my lucid creativity with my hands, stitching many embroideries of butterflies on antique army bags, sewing my own original clothes, reading Krishnamurti, becoming more connected to my own emotional body, limiting how the outworld could effect my inner processes. The further I followed my own rhythm and creative expression, the more joyful, naturally peaceful and strong I became. Since I had a training in dance and gymnastics at such an early age I began to stretch and strengthen my hurt body, quickly the sparks firing up my spine took me on the adventure of a lifetime! I discovered yoga. Later I learned that [trauma] was Kundalini. My traumatic fall off in gymnastics acted as an earthquake in my root chakra, and woke up my cosmic cobra.
Astrological commentary

✓ A stellium of Sun, Mercury and Uranus in the sign of Scorpio in 4th House explains Amber's love for everything that has to do with ancestry karma, life's endings and unconsciousness.

✓ Jupiter's placement in 12th House points to the possibilities of gaining success in mystic areas, working in solitude, detaching from the hustle and bustle of the city. Mind that Amber works in a temple.

✓ An Ascendent, or 1st House, describes someone's way of self-expression and temper. Mars on the cusp of 1st House points out to high activity. Additionally, not only Mars on the Ascendent paints a pretty picture of a connection to dance (traditionally dancers tend to have an aspect between Mars and Venus, although through Pluto), but also to dancing with fire - which is exactly what Amber does.

✓ An opposition of Moon and Neptune (heightened empathy, rich imagination) softens and balances out the conjunction of Venus and Pluto, which usually translates into an emotional investment in moments of crisis, an ability to balance out emotions in a critical situation, having the need for intense emotions herself and the need to sympathize intensively. Which is also what being a death doula is all about.
Do you remember your first death doula experience?

My first time assisting a death process was with my grandfather. It wasn't planned, just happened that I was all alone with him. We had a lot of good time together in the weeks before that day, I took time off of other activities to stay with him.
Without thinking I jumped up, ran as fast as I could to the door and held the nurses out.
He was transitioning and I could see it in his eyes. I was 16. Clearly I could sense his spirit was flickering between worlds. We were looking into each other's eyes, he was only half with me. I could feel his spirit on the other side. All of a sudden, bells and whistles broke out, breaking us out of our transcendence. Without thinking I jumped up, ran as fast as I could to the door and held the nurses out. I didn't let them revive him. His natural transition would not be disturbed on my watch. Looking over my shoulder into my Papa's eyes, we smiled. Slowly, it seemed, though in a heartbeat he disappeared.
Obviously, this pissed off the hospital and when my family arrived soon after they were in shock! Luckily there were no charges. I dialed my best friend's telephone number and asked him to take me out dancing. We went to the infamous nightclub in an old church called Limelite in New York City. We danced for his life, our hearts pounding with the drums, our feet tracing the ceremonies of our ancestors! We went totally wild! It was the first time that I felt dance as a real ritual, an offering, a celebration of our place in the circle of life. This was my invitation to action that calls me on and on till this day.
What's your work format? What do people need to be prepared to die?
My mother was the most inspiring person for me - a natural mystic, she always faithfully taught me that, God was inside of me, not somewhere out there.
I get referred to by recommendations. Timing is very delicate, that's why my work as death doula can be very random and sporadic. We dance as much as the body allows us to, [or] we dance on the inside. Tapping into our intuition, practicing advanced breathing techniques, guided trance movement meditations, imaginative goal oriented visualizations, healing touch intuitive massage, and by establishing sisterhood we infuse trust. Together, weaving a tapestry of love in action, this supports the whole process. We're also practicing the HO' OPON OPONO prayer. Essentially Ho'oponopono, means to make it right with the ancestors, or to make right with the people with whom you have relationships. The original purpose is to correct the wrongs that had occurred in someone's life. I believe if we can heal our emotional and energetic bodies before we die, we heal our planet vibration. As we take the responsibility to filter our own negativity, we affect the karmic soul of humanity. Together we can heal the pain body of the planet.
Do you involve a person's family in the process or does death like to keep it lonely?
When there are family members nearby, they are very appreciative, and other times they don't understand my work. Most modern people are too busy to sit by and be fully present with their parents or grandparents as they age. The modern ego has unfortunately driven us past our natural instinct to care for the family unit, or community at large.

It's always very helpful when family members can be present for class. Our practice enriches the process and purifies their familiar ancestral bonds, healing and strengthening them in unimaginable ways, DNA healing.
Is the job of death doula similar to the one of birth doula?
Yes, many things in common. There is one door, it swings in both directions. The cleaner the passage is, the more fully energy can be channeled. In birth I see death, and visa versa. In the eye of supernatural it's all one. The ultimate seduction, a lesson on non-duality.
Do you get a lot of criticism?
Yes, numerous people throughout the years thought I was very… out there, a witch or simply making up stories to impress them. Indeed last year sitting at a touristy restaurant with friends, relaxing in good conversation, I shared a story from one of my doula births. Like a flash, this strange man from another table turned to me and said, "If this was 100 years ago they would burn you at the stake witch!" To date, the most extreme reaction. I've never felt lost or confused about what I'm doing. The hard part with spiritual work is being outside of cultural norms.
Why do you think some people react this way?
In birth I see death, and visa versa. In the eye of supernatural it's all one. The ultimate seduction, a lesson on non-duality.
For sure there are people who are still stuck in the box, programmed by manipulated traditions, the patriarch and all the fear that plagues our human family. The medical community has created such a power structure around the most natural processes as birth and death. So anyone outside of their boundaries is considered unreliable and dangerous. You [either] play by the rules or you're out of your mind or so called, by rational people.
And how about boundaries in spiritual communities?
I see lots of ego around spiritual communities that is really unnecessary, as it hold us all back. I enjoy volunteering, offering classes to local underprivileged communities. These are my gifts back to the divine. Those that much is given, much is expected. Staying humble is very important.
Have you ever thought of your own death? How would you like to exit this world?
Have you ever thought of your own death? How would you like to exit this world?
Yes, of course! I would love to die in high celebration of fire dancing, at a ripe age maybe 100 or more... I'd love to be burned in the ancient Viking Pyre tradition, a fire funeral ceremony where the mourners are taught archery and on the third day they shoot flaming arrows into my body. [I'd love to be] floating on a flower covered wooden boat over a large body of water. I'll fly up with spirals of wind, full and glorious, then slowly whimsically melting down deep into the silent sea, total at peace.